{"id":7911,"date":"2017-09-28T17:09:04","date_gmt":"2017-09-28T15:09:04","guid":{"rendered":"https:\/\/www.qrious.de\/?p=7911"},"modified":"2017-09-29T15:55:41","modified_gmt":"2017-09-29T13:55:41","slug":"rudresh-mahanthappas-indo-pak-coalition-agrima","status":"publish","type":"post","link":"https:\/\/www.qrious.de\/en\/rudresh-mahanthappas-indo-pak-coalition-agrima\/","title":{"rendered":"RUDRESH MAHANTHAPPA\u00e2\u20ac\u2122s Indo-Pak Coalition “AGRIMA”"},"content":{"rendered":"

[:de]Das Album ist ab V\u00c3\u2013 ausschlie\u00c3\u0178lich auf der offiziellen Website des K\u00c3\u00bcnstlers erh\u00c3\u00a4ltlich (digital und auf Vinyl)<\/u><\/strong><\/p>\n

 <\/p>\n

http:\/\/rudreshm.com<\/a><\/em><\/strong><\/p>\n

Download $2, Limited Edition Deluxe Double LP $50<\/u><\/strong><\/p>\n

 <\/p>\n

Interviews sind via Telefon und via E-Mail m\u00c3\u00b6glich!<\/u><\/strong><\/p>\n

Koordination: Marcel Westphal (mw@qrious.de<\/a>)<\/p>\n

\u00c2\u00a0<\/strong><\/p>\n

WITH AGRIMA, ALTO SAXOPHONIST AND COMPOSER RUDRESH MAHANTHAPPA<\/strong><\/p>\n

REUNITES THE INDO-PAK COALITION FEATURING GUITARIST REZ ABBASI, DRUMMER\/PERCUSSIONIST DAN WEISS<\/strong><\/p>\n

 <\/p>\n

Rudresh Mahanthappa\u00e2\u20ac\u2122s Indo-Pak Coalition has been hailed by The New York Times as \u00e2\u20ac\u0153a trio equally grounded in folk tradition and jazz improvisation, propos[ing] a social pact as well as a musical ideal.\u00e2\u20ac\u009d The ensemble\u00e2\u20ac\u2122s three formidable talents \u00e2\u20ac\u201d Mahanthappa on alto saxophone, Rez Abbasi on guitar, and Dan Weiss on tabla \u00e2\u20ac\u201d first documented their group conception in 2008 with Apti, which won praise from The Guardian for its \u00e2\u20ac\u0153irresistible urgency.\u00e2\u20ac\u009d Agrima<\/em><\/strong>, the long-awaited follow-up, finds Mahanthappa and the group expanding aesthetic horizons: adding a modified drum set, incorporating effects and electronics, and working with a broader audio canvas overall. The core of the band\u00e2\u20ac\u2122s sound, the vibrant presence of Indian rhythmic and melodic elements in a charged, modern improvisational framework born of the New York jazz scene, remains firmly in place. The recording will be available as a $2 download as well as a limited edition deluxe double LP via http:\/\/rudreshm.com\/.<\/p>\n

 <\/p>\n

According to Mahanthappa, \u00e2\u20ac\u0153Agrima\u00e2\u20ac\u009d <\/em><\/strong>in Sanskrit simply means \u00e2\u20ac\u0153next\u00e2\u20ac\u009d or \u00e2\u20ac\u0153following.\u00e2\u20ac\u009d It comes at a propitious time for all three members: Mahanthappa has enjoyed great success with his Bird Calls quintet and recently became Director of Jazz Studies at Princeton University. Abbasi, born in Karachi, Pakistan and raised in California, has revealed a rare mastery of guitar in a range of settings including his own RAAQ acoustic quartet and his heavily electric project, Junction. Weiss, a voraciously eclectic drummer with interests ranging from classical tabla performance to metal, has garnered acclaim for his work ranging from solo drums to trio to large ensemble.<\/p>\n

 <\/p>\n

\u00e2\u20ac\u0153I wanted everyone to think about Agrima<\/em><\/strong> as if we were making a rock album,\u00e2\u20ac\u009d Mahanthappa declares. \u00e2\u20ac\u0153Apti is almost 10 years old and I think the way that the three of us conceive of non-Western or Indian music sonically and technically has really evolved. So I didn\u00e2\u20ac\u2122t want us to be concerned with having an overt Indian sound. I wanted to highlight our interactions, which we\u00e2\u20ac\u2122ve developed since 2005 when the band premiered at New York City\u00e2\u20ac\u2122s Joe\u00e2\u20ac\u2122s Pub.\u00e2\u20ac\u009d<\/p>\n

 <\/p>\n

From all three instruments we hear a heightening of expressive nuance and possibility. Mahanthappa\u00e2\u20ac\u2122s alto is transformed in places by software-driven effects to create strange processed timbres, echoes, decays and soundscapes. \u00e2\u20ac\u0153Working with electronics is like learning a new instrument,\u00e2\u20ac\u009d Mahanthappa says. \u00e2\u20ac\u0153It takes a bit of thought to figure out how to have a voice in that realm. I ended up doing some work with Neil Leonard [from the Berklee College of Music\u00e2\u20ac\u2122s program in Electronic Production and Design]. He\u00e2\u20ac\u2122s also an alto player. He wrote a piece for the two of us, just two altos and our laptops, and he made all these patches for me, allowing me to use them however I wanted. I was always interested in electronics but my initial foray was not until Samdhi, (2011). That was really kind of a more instinctive approach but in the end it turned out really cool and I got what I wanted. Electronics was something I always wanted to get back to.\u00e2\u20ac\u009d<\/p>\n

 <\/p>\n

Abbasi\u00e2\u20ac\u2122s guitar, clean-toned and fluid (at times even acoustic) on Apti, becomes something bigger and more foreboding on Agrima<\/em><\/strong>: there\u00e2\u20ac\u2122s an edge and growl to the tone, a looming presence and sustain in the low notes, and more atmosphere thanks to an array of pedal effects that complement Mahanthappa\u00e2\u20ac\u2122s electronics at every turn. But perhaps the most pronounced shift from the previous record is Weiss\u00e2\u20ac\u2122s hybrid setup, melding tabla with drum set. \u00e2\u20ac\u0153A while back we had a gig coming up in Montreal,\u00e2\u20ac\u009d Mahanthappa recalls, \u00e2\u20ac\u0153and Dan asked what I thought about having him still be seated playing tabla but also with pieces of the drum set around him. We didn\u00e2\u20ac\u2122t even rehearse it, we just got to that sound check a half-hour early and Dan threw this thing together that ended up being amazing. That\u00e2\u20ac\u2122s how we\u00e2\u20ac\u2122ve played ever since. On some tunes Dan only plays drum set, in fact. It all stems from our shared experience and our relationship to Indian music and jazz, which transcends the instrumentation.\u00e2\u20ac\u009d<\/p>\n

 <\/p>\n

In January 2017 the Indo-Pak Coalition premiered the new set of music that would become Agrima<\/em><\/strong> at globalFEST in New York. The energy of that encounter carried forward into the studio, from the eerie rubato incantation of \u00e2\u20ac\u0153Alap\u00e2\u20ac\u009d to the spiky lines and bracing tempo of \u00e2\u20ac\u0153Snap,\u00e2\u20ac\u009d from the looping synthesized patterns, fractured beats and sunny temperament of \u00e2\u20ac\u0153Agrima\u00e2\u20ac\u009d to the simpler, moodier medium groove of \u00e2\u20ac\u0153Showcase.\u00e2\u20ac\u009d The band is in peak form, executing tough thematic material, attending to fine dynamic contrasts, shifting tempos with spellbinding ease, and of course improvising with depth and ferocity.<\/p>\n

 <\/p>\n

There are riveting musical stories to be heard within \u00e2\u20ac\u0153Rasikapriya\u00e2\u20ac\u009d and \u00e2\u20ac\u0153Revati,\u00e2\u20ac\u009d ambitious works with ever-shifting rhythmic foundations, gamboling between hyper-precision and pure abstraction. Between the slow and measured legato of \u00e2\u20ac\u0153Can-Did\u00e2\u20ac\u009d and the agitated esprit of \u00e2\u20ac\u0153Take-Turns\u00e2\u20ac\u009d we hear the play of extremes, of the unexpected, a many-sided adventurousness that is the Indo-Pak Coalition\u00e2\u20ac\u2122s reason for being. Inimitably rendered by three of the most mature and compelling players of our time, Agrima<\/em><\/strong> is an album likely to resonate through the years.<\/p>\n

 <\/p>\n

RUDRESH MAHANTHAPPA<\/strong><\/p>\n

 <\/p>\n

Few musicians share the ability of alto saxophonist\/composer Rudresh Mahanthappa to embody the expansive possibilities of his music with his culture. What has materialized is a sound that hybridizes progressive jazz and South Indian classical music in a fluid and forward-looking form that reflects Mahanthappa\u00e2\u20ac\u2122s own experience growing up a second-generation Indian-American.<\/p>\n

 <\/p>\n

Hailed by the New York Times as possessing \u00e2\u20ac\u0153a roving intellect and a bladelike articulation,\u00e2\u20ac\u009d Mahanthappa has been awarded a Guggenheim Fellowship, a New York Foundation for the Arts Fellowship, and commissions from the Rockefeller Foundation MAP Fund, Chamber Music America and the American Composers Forum. He has been named alto saxophonist of the year for six of seven years running in Downbeat Magazine\u00e2\u20ac\u2122s International Critics\u00e2\u20ac\u2122 Polls (2011-2013, 2015-2017), and for five consecutive years by the Jazz Journalists\u00e2\u20ac\u2122 Association (2009-2013) and again in 2016. He won alto saxophonist of the year in the 2016 JazzTimes Magazine Critics\u00e2\u20ac\u2122 Poll. In April 2013, he received a Doris Duke Performing Artist Award, one of the most prominent arts awards in the world. In 2015, he was named a United States Artists Fellow. In 2016, he was named the Director of Jazz and the Associate Director of the Program in Musical Performance at Princeton University.<\/p>\n

Mahanthappa is a Yamaha artist and uses Vandoren reeds exclusively.<\/p>\n

 <\/p>\n

http:\/\/rudreshm.com<\/a><\/p>\n

http:\/\/www.facebook.com\/rudreshm<\/a><\/p>\n

http:\/\/twitter.com\/rudreshm<\/a><\/p>\n

http:\/\/www.youtube.com\/rudreshm<\/a><\/p>\n

 <\/p>\n

EPK (es gibt auch einen Live-Videoclip f\u00c3\u00bcr TV-Medien):<\/p>\n

https:\/\/youtu.be\/5r8QUGG4ISg<\/a><\/p>\n

(der EPK-Link darf gerne online eingebunden werden)[:en]K\u00c3\u00bcnstler: RUDRESH MAHANTHAPPA\u00e2\u20ac\u2122s Indo-Pak Coalition<\/em><\/p>\n

Albumtitel: AGRIMA<\/em><\/p>\n

V\u00c3\u2013-Datum: 17.10.2017<\/em><\/p>\n

 <\/p>\n

Das Album ist ab V\u00c3\u2013 ausschlie\u00c3\u0178lich auf der offiziellen Website des K\u00c3\u00bcnstlers erh\u00c3\u00a4ltlich (digital und auf Vinyl)<\/u><\/strong><\/p>\n

http:\/\/rudreshm.com<\/a><\/em><\/strong><\/p>\n

Download $2, Limited Edition Deluxe Double LP $50<\/u><\/strong><\/p>\n

Interviews sind via Telefon und via E-Mail m\u00c3\u00b6glich!<\/u><\/strong><\/p>\n

Koordination: Marcel Westphal (mw@qrious.de<\/a>)<\/p>\n

\u00c2\u00a0<\/strong><\/p>\n

WITH AGRIMA, ALTO SAXOPHONIST AND COMPOSER RUDRESH MAHANTHAPPA<\/strong><\/p>\n

REUNITES THE INDO-PAK COALITION FEATURING GUITARIST REZ ABBASI, DRUMMER\/PERCUSSIONIST DAN WEISS<\/strong><\/p>\n

 <\/p>\n

Rudresh Mahanthappa\u00e2\u20ac\u2122s Indo-Pak Coalition has been hailed by The New York Times as \u00e2\u20ac\u0153a trio equally grounded in folk tradition and jazz improvisation, propos[ing] a social pact as well as a musical ideal.\u00e2\u20ac\u009d The ensemble\u00e2\u20ac\u2122s three formidable talents \u00e2\u20ac\u201d Mahanthappa on alto saxophone, Rez Abbasi on guitar, and Dan Weiss on tabla \u00e2\u20ac\u201d first documented their group conception in 2008 with Apti, which won praise from The Guardian for its \u00e2\u20ac\u0153irresistible urgency.\u00e2\u20ac\u009d Agrima<\/em><\/strong>, the long-awaited follow-up, finds Mahanthappa and the group expanding aesthetic horizons: adding a modified drum set, incorporating effects and electronics, and working with a broader audio canvas overall. The core of the band\u00e2\u20ac\u2122s sound, the vibrant presence of Indian rhythmic and melodic elements in a charged, modern improvisational framework born of the New York jazz scene, remains firmly in place. The recording will be available as a $2 download as well as a limited edition deluxe double LP via http:\/\/rudreshm.com\/.<\/p>\n

 <\/p>\n

According to Mahanthappa, \u00e2\u20ac\u0153Agrima\u00e2\u20ac\u009d <\/em><\/strong>in Sanskrit simply means \u00e2\u20ac\u0153next\u00e2\u20ac\u009d or \u00e2\u20ac\u0153following.\u00e2\u20ac\u009d It comes at a propitious time for all three members: Mahanthappa has enjoyed great success with his Bird Calls quintet and recently became Director of Jazz Studies at Princeton University. Abbasi, born in Karachi, Pakistan and raised in California, has revealed a rare mastery of guitar in a range of settings including his own RAAQ acoustic quartet and his heavily electric project, Junction. Weiss, a voraciously eclectic drummer with interests ranging from classical tabla performance to metal, has garnered acclaim for his work ranging from solo drums to trio to large ensemble.<\/p>\n

 <\/p>\n

\u00e2\u20ac\u0153I wanted everyone to think about Agrima<\/em><\/strong> as if we were making a rock album,\u00e2\u20ac\u009d Mahanthappa declares. \u00e2\u20ac\u0153Apti is almost 10 years old and I think the way that the three of us conceive of non-Western or Indian music sonically and technically has really evolved. So I didn\u00e2\u20ac\u2122t want us to be concerned with having an overt Indian sound. I wanted to highlight our interactions, which we\u00e2\u20ac\u2122ve developed since 2005 when the band premiered at New York City\u00e2\u20ac\u2122s Joe\u00e2\u20ac\u2122s Pub.\u00e2\u20ac\u009d<\/p>\n

 <\/p>\n

From all three instruments we hear a heightening of expressive nuance and possibility. Mahanthappa\u00e2\u20ac\u2122s alto is transformed in places by software-driven effects to create strange processed timbres, echoes, decays and soundscapes. \u00e2\u20ac\u0153Working with electronics is like learning a new instrument,\u00e2\u20ac\u009d Mahanthappa says. \u00e2\u20ac\u0153It takes a bit of thought to figure out how to have a voice in that realm. I ended up doing some work with Neil Leonard [from the Berklee College of Music\u00e2\u20ac\u2122s program in Electronic Production and Design]. He\u00e2\u20ac\u2122s also an alto player. He wrote a piece for the two of us, just two altos and our laptops, and he made all these patches for me, allowing me to use them however I wanted. I was always interested in electronics but my initial foray was not until Samdhi, (2011). That was really kind of a more instinctive approach but in the end it turned out really cool and I got what I wanted. Electronics was something I always wanted to get back to.\u00e2\u20ac\u009d<\/p>\n

 <\/p>\n

Abbasi\u00e2\u20ac\u2122s guitar, clean-toned and fluid (at times even acoustic) on Apti, becomes something bigger and more foreboding on Agrima<\/em><\/strong>: there\u00e2\u20ac\u2122s an edge and growl to the tone, a looming presence and sustain in the low notes, and more atmosphere thanks to an array of pedal effects that complement Mahanthappa\u00e2\u20ac\u2122s electronics at every turn. But perhaps the most pronounced shift from the previous record is Weiss\u00e2\u20ac\u2122s hybrid setup, melding tabla with drum set. \u00e2\u20ac\u0153A while back we had a gig coming up in Montreal,\u00e2\u20ac\u009d Mahanthappa recalls, \u00e2\u20ac\u0153and Dan asked what I thought about having him still be seated playing tabla but also with pieces of the drum set around him. We didn\u00e2\u20ac\u2122t even rehearse it, we just got to that sound check a half-hour early and Dan threw this thing together that ended up being amazing. That\u00e2\u20ac\u2122s how we\u00e2\u20ac\u2122ve played ever since. On some tunes Dan only plays drum set, in fact. It all stems from our shared experience and our relationship to Indian music and jazz, which transcends the instrumentation.\u00e2\u20ac\u009d<\/p>\n

 <\/p>\n

In January 2017 the Indo-Pak Coalition premiered the new set of music that would become Agrima<\/em><\/strong> at globalFEST in New York. The energy of that encounter carried forward into the studio, from the eerie rubato incantation of \u00e2\u20ac\u0153Alap\u00e2\u20ac\u009d to the spiky lines and bracing tempo of \u00e2\u20ac\u0153Snap,\u00e2\u20ac\u009d from the looping synthesized patterns, fractured beats and sunny temperament of \u00e2\u20ac\u0153Agrima\u00e2\u20ac\u009d to the simpler, moodier medium groove of \u00e2\u20ac\u0153Showcase.\u00e2\u20ac\u009d The band is in peak form, executing tough thematic material, attending to fine dynamic contrasts, shifting tempos with spellbinding ease, and of course improvising with depth and ferocity.<\/p>\n

 <\/p>\n

There are riveting musical stories to be heard within \u00e2\u20ac\u0153Rasikapriya\u00e2\u20ac\u009d and \u00e2\u20ac\u0153Revati,\u00e2\u20ac\u009d ambitious works with ever-shifting rhythmic foundations, gamboling between hyper-precision and pure abstraction. Between the slow and measured legato of \u00e2\u20ac\u0153Can-Did\u00e2\u20ac\u009d and the agitated esprit of \u00e2\u20ac\u0153Take-Turns\u00e2\u20ac\u009d we hear the play of extremes, of the unexpected, a many-sided adventurousness that is the Indo-Pak Coalition\u00e2\u20ac\u2122s reason for being. Inimitably rendered by three of the most mature and compelling players of our time, Agrima<\/em><\/strong> is an album likely to resonate through the years.<\/p>\n

 <\/p>\n

RUDRESH MAHANTHAPPA<\/strong><\/p>\n

 <\/p>\n

Few musicians share the ability of alto saxophonist\/composer Rudresh Mahanthappa to embody the expansive possibilities of his music with his culture. What has materialized is a sound that hybridizes progressive jazz and South Indian classical music in a fluid and forward-looking form that reflects Mahanthappa\u00e2\u20ac\u2122s own experience growing up a second-generation Indian-American.<\/p>\n

 <\/p>\n

Hailed by the New York Times as possessing \u00e2\u20ac\u0153a roving intellect and a bladelike articulation,\u00e2\u20ac\u009d Mahanthappa has been awarded a Guggenheim Fellowship, a New York Foundation for the Arts Fellowship, and commissions from the Rockefeller Foundation MAP Fund, Chamber Music America and the American Composers Forum. He has been named alto saxophonist of the year for six of seven years running in Downbeat Magazine\u00e2\u20ac\u2122s International Critics\u00e2\u20ac\u2122 Polls (2011-2013, 2015-2017), and for five consecutive years by the Jazz Journalists\u00e2\u20ac\u2122 Association (2009-2013) and again in 2016. He won alto saxophonist of the year in the 2016 JazzTimes Magazine Critics\u00e2\u20ac\u2122 Poll. In April 2013, he received a Doris Duke Performing Artist Award, one of the most prominent arts awards in the world. In 2015, he was named a United States Artists Fellow. In 2016, he was named the Director of Jazz and the Associate Director of the Program in Musical Performance at Princeton University.<\/p>\n

Mahanthappa is a Yamaha artist and uses Vandoren reeds exclusively.<\/p>\n

 <\/p>\n

http:\/\/rudreshm.com<\/a><\/p>\n

http:\/\/www.facebook.com\/rudreshm<\/a><\/p>\n

http:\/\/twitter.com\/rudreshm<\/a><\/p>\n

http:\/\/www.youtube.com\/rudreshm<\/a><\/p>\n

 <\/p>\n

EPK (es gibt auch einen Live-Videoclip f\u00c3\u00bcr TV-Medien):<\/p>\n

https:\/\/youtu.be\/5r8QUGG4ISg<\/a><\/p>\n

(der EPK-Link darf gerne online eingebunden werden)[:]<\/p>\n","protected":false},"excerpt":{"rendered":"

[:de]Das Album ist ab V\u00c3\u2013 ausschlie\u00c3\u0178lich auf der offiziellen Website des K\u00c3\u00bcnstlers erh\u00c3\u00a4ltlich (digital und auf Vinyl)   http:\/\/rudreshm.com Download $2, Limited Edition Deluxe Double LP $50   Interviews sind via Telefon und via E-Mail m\u00c3\u00b6glich! Koordination: Marcel Westphal (mw@qrious.de) \u00c2\u00a0 WITH AGRIMA, ALTO SAXOPHONIST AND COMPOSER RUDRESH MAHANTHAPPA REUNITES THE INDO-PAK COALITION FEATURING GUITARIST […]<\/p>\n","protected":false},"author":6,"featured_media":7922,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[172],"tags":[],"class_list":["post-7911","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-unkategorisiert"],"yoast_head":"\nRUDRESH MAHANTHAPPA\u00e2\u20ac\u2122s Indo-Pak Coalition "AGRIMA" - Q-rious Music<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.qrious.de\/en\/rudresh-mahanthappas-indo-pak-coalition-agrima\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"RUDRESH MAHANTHAPPA\u00e2\u20ac\u2122s Indo-Pak Coalition "AGRIMA" - Q-rious Music\" \/>\n<meta property=\"og:description\" content=\"[:de]Das Album ist ab V\u00c3\u2013 ausschlie\u00c3\u0178lich auf der offiziellen Website des K\u00c3\u00bcnstlers erh\u00c3\u00a4ltlich (digital und auf Vinyl)   http:\/\/rudreshm.com Download $2, Limited Edition Deluxe Double LP $50   Interviews sind via Telefon und via E-Mail m\u00c3\u00b6glich! 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