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Bruno Angelini Open Land Quartet<\/strong><\/p>\n ” Nearly nothning, almost everything”<\/strong><\/p>\n <\/p>\n – Open Land Quartet –<\/strong><\/p>\n Eine musikalische Reise, inspiriert von minimalistischen Dichtern aus aller Welt.<\/p>\n “Die Poesie begleitet mich schon seit langem. Ich bin immer empf\u00c3\u00a4nglicher f\u00c3\u00bcr minimalistische Poesie: luftig, oft in der Gegenwart verankert, eher anspielend als metaphysisch; ein Spiegel, der auf unser t\u00c3\u00a4gliches Leben und die uns umgebende Natur gerichtet ist, um uns ihre Sch\u00c3\u00b6nheit bewusst zu machen. Diese Gedichte laden mich auch dazu ein, meine innere Welt zu kultivieren, anstatt das heimliche Gl\u00c3\u00bcck im Konsum oder in der Gestik zu suchen. Ich glaube, dass sie auch mit meinen b\u00c3\u00bcrgerlichen Gedanken \u00c3\u00bcbereinstimmen: die Natur zu genie\u00c3\u0178en und zu pflegen, unsere Bed\u00c3\u00bcrfnisse zu \u00c3\u00bcberdenken und uns auf einen Prozess des Wachstumsverzichts einzulassen, um die Erde zu bewahren und gerecht mit den Bed\u00c3\u00bcrftigsten zu teilen.<\/p>\n Aus all diesen Gr\u00c3\u00bcnden habe ich beschlossen, mein n\u00c3\u00a4chstes musikalisches Werk Dichtern aus aller Welt zu widmen, wie Ada Mond\u00c3\u00a8s, William Carlos Williams, Chandak Chattarji, Lydia Vadkerti-Gavornikova, Jacob Nib\u00c3\u00a9negesabe.<\/p>\n Meine Kompositionen lassen sich nicht unbedingt dem ‘musikalischen Minimalismus’ zuordnen, au\u00c3\u0178er dass ich Raum und Stille mag, gerne auf Klangfarben und Resonanzen h\u00c3\u00b6re und manchmal raffinierte Melodien schreibe. Sie orientieren sich haupts\u00c3\u00a4chlich an einer harmonischen Sprache, die von der zeitgen\u00c3\u00b6ssischen Musik abgeleitet ist, manchmal in Verbindung mit Rubato-Bewegungen, manchmal mit komplexeren rhythmischen Signaturen, wobei ich die Mischung verschiedener Geschwindigkeiten bevorzuge, die von den Mitgliedern des Orchesters gleichzeitig gespielt werden. Ich habe das Gef\u00c3\u00bchl, dass sich die Musik, die ich schreibe, seit Jahren st\u00c3\u00a4ndig ver\u00c3\u00a4ndert und weiterentwickelt, in Richtungen, die ich nicht vorhersehen konnte.<\/p>\n Das Quartett, das ich 2014 mit Claude Tchamitchian, R\u00c3\u00a9gis Huby und Edward Perraud gegr\u00c3\u00bcndet habe, begleitet diese Entwicklungen, als ob dieses Quartett die ideale Erweiterung des Ausdrucks meiner k\u00c3\u00bcnstlerischen Intimit\u00c3\u00a4t w\u00c3\u00a4re. Deshalb rufe ich sie f\u00c3\u00bcr ein drittes Werk auf, damit sie in dieses Projekt investieren, dessen Thema ihrer Sensibilit\u00c3\u00a4t und ihrem b\u00c3\u00bcrgerschaftlichen Engagement sehr nahesteht.” \u00c2\u00a0(Bruno Angelini)<\/p>\n Alle Kompositionen wurden frei von diesen Gedichten inspiriert:<\/p>\n <\/p>\n – “Errances” von Ada Mond\u00c3\u00a8s<\/strong> * Track (Soul wanderings \/ wild wanderings)<\/p>\n – “Po\u00c3\u00a8mes de l’os magique” von Jacob Nib\u00c3\u00a9negenesabe<\/strong> * Track (Peaceful Warrior)<\/p>\n – “Maintenant” von Chandak Chattarji<\/strong> * Titel (Present time)<\/p>\n – “Paterson” von William Carlos Williams<\/strong> * Track (Paterson part. 1, 2 und 3)<\/p>\n – “La naissance du jour” von Lydia Vadkerti-Gavornikov\u00c3\u00a0 <\/strong>* Track (at dawn)<\/p>\n <\/p>\n <\/p>\n Tracklist:<\/strong><\/p>\n <\/p>\n Paterson<\/p>\n <\/p>\n <\/p>\n <\/p>\n <\/p>\n Bruno Angelini<\/strong> – Piano, compositions<\/p>\n R\u00c3\u00a9gis Huby<\/strong> – Violins, electronics<\/p>\n Claude Tchamitchian<\/strong> \u00e2\u20ac\u201c Double bass<\/p>\n Edward Perraud<\/strong> – Drums, percussions<\/p>\n <\/p>\n <\/p>\n <\/p>\n www.brunoangelini.com<\/a><\/p>\n <\/p>\n https:\/\/soundcloud.com\/user-958202905-87731322\/sets\/nearly-nothing-almost-everything-bruno-angelini_regis-huby_claude-tchamitchian_edward-perraud\/s-a4ykjkyY00o?utm_source=clipboard&utm_medium=text&utm_campaign=social_sharing<\/a><\/u><\/p>\n <\/p>\n <\/p>\n Recorded, mixed and mastered, Studios La Buissonne, Pernes-les-Fontaines, France <\/p>\n Bruno Angelini Open Land Quartet<\/strong><\/p>\n ” Nearly nothning, almost everything”<\/strong><\/p>\n <\/p>\n – Open Land Quartet –<\/strong><\/p>\n <\/p>\n A musical journey inspired by minimalist poets from around the world.<\/p>\n ” Poetry has been with me for a long time. I am more and more sensitive to minimalist poetry : airy, often anchored in the present, rather allusive than metaphysical ; a mirror directed towards our daily life, as well as towards the nature which surrounds us, in order to help us become aware of their beauty.<\/p>\n These poems also invite me to cultivate my inner world, rather than seeking furtive happiness through consumption, or gesticulation. By extrapolation, I feel they are also aligned with my civic thoughts : savoring, caring for nature ; rethinking our needs and engaging in a process of degrowth, in order to preserve the earth and share equitably with those in most need.<\/p>\n It is for all these reasons that I have decided to dedicate my next musical creation to poets from all over the world such as Ada Mond\u00c3\u00a8s, William Carlos Williams, Chandak Chattarji, Lydia Vadkerti-Gavornikova, Jacob Nib\u00c3\u00a9negesabe.<\/p>\n My compositions will not fit necessarily into \u00e2\u20ac\u02dcmusical minimalism\u00e2\u20ac\u2122, except that I like space, silences, favor listening to timbres and resonances, writing sometimes refined melodies. They will be mainly oriented towards a harmonic language derived from contemporary music, sometimes associated with rubato movements, sometimes with more complex rhythmic signatures, favoring the mixture of different speeds, played simultaneously by the members of the orchestra.<\/p>\n I feel like the music I write has been constantly changing and evolving for years, in directions I couldn’t have anticipated ; topics that affect me as well. The orchestra that I formed in 2014 with Claude Tchamitchian, R\u00c3\u00a9gis Huby, Edward Perraud, accompanies these developments as if this quartet were the ideal extension of the expression of my artistic intimacy. Therefore I am calling on them for a third opus so that they invest in this project, the subject of which is very close to their sensitivity as well as their commitments as citizens.” (Bruno Angelini)<\/p>\n This project is really part of the continuation of the two previous albums of this quartet, released under the same Label, both in its quality of writing and in the interpretation. Time and space stretch to give the necessary weight to each note, each pulsation. The silences are rich, nourished and thought. A music so powerful and so refined at the same time makes this music an exception.<\/p>\n <\/p>\n All the compositions had been freely inspired by these poetries :<\/p>\n – “Errances” from Ada Mond\u00c3\u00a8s * tracks Soul wanderings and Wild wanderings<\/p>\n – “Po\u00c3\u00a8mes de l’os magique” from Jacob Nib\u00c3\u00a9negenesabe *\u00c2\u00a0 track Peaceful Warrior<\/p>\n – “Maintenant” from Chandak Chattarji * track Present time<\/p>\n – “Paterson” from William Carlos Williams * track Paterson part. 1, 2 and 3<\/p>\n – “La naissance du jour” from Lydia Vadkerti-Gavornikov\u00c3\u00a0 * track At dawn me as well.<\/p>\n <\/p>\n The orchestra that I formed in 2014 with Claude Tchamitchian, R\u00c3\u00a9gis Huby, Edward Perraud, accompanies these developments as if this quartet were the ideal extension of the expression of my artistic intimacy. Therefore I am calling on them for a third opus so that they invest in this project, the subject of which is very close to their sensitivity as well as their commitments as citizens.” (Bruno Angelini)<\/p>\n This project is really part of the continuation of the two previous albums of this quartet, released under the same Label, both in its quality of writing and in the interpretation. Time and space stretch to give the necessary weight to each note, each pulsation. The silences are rich, nourished and thought. A music so powerful and so refined at the same time makes this music an exception.<\/p>\n <\/p>\n <\/p>\n Bruno Angelini<\/strong> – Piano, compositions<\/p>\n R\u00c3\u00a9gis Huby<\/strong> – Violins, electronics<\/p>\n Claude Tchamitchian<\/strong> \u00e2\u20ac\u201c Double bass<\/p>\n Edward Perraud<\/strong> – Drums, percussions<\/p>\n <\/p>\n\n
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\nRecorded June 7,8,9 2021 and mixed May 2022 by G\u00c3\u00a9rard de Haro assisted by Matteo Fontaine
\nMastered at La Buissonne Mastering Studio by Nicolas Baillard
\nSteinway Grand piano prepared and tuned by \u00c2\u00ab\u00c2\u00a0The great\u00c2\u00a0\u00c2\u00bb Sylvain Charles
\nProduced by G\u00c3\u00a9rard de Haro and RJAL for La Buissonne label & by Solange[:en]<\/p>\n