{"id":15901,"date":"2021-03-16T16:38:41","date_gmt":"2021-03-16T14:38:41","guid":{"rendered":"https:\/\/www.qrious.de\/?p=15901"},"modified":"2021-03-16T16:38:41","modified_gmt":"2021-03-16T14:38:41","slug":"pangea-ultima-camino-a-mictlan-releasedate-09-04-2021","status":"publish","type":"post","link":"https:\/\/www.qrious.de\/en\/pangea-ultima-camino-a-mictlan-releasedate-09-04-2021\/","title":{"rendered":"Pangea Ultima – Camino a Mictlan (Releasedate: 09.04.2021)"},"content":{"rendered":"

[:de]\"\"<\/p>\n

 <\/p>\n

Reise in die aztekische Unterwelt<\/strong><\/p>\n

Das Album \u00c2\u00abCamino a Mictl\u00c3\u00a1n<\/strong>\u00c2\u00bb des K\u00c3\u00b6lner Ensembles PANGEA ULTIMA<\/strong> ist eine quicklebendige Feier der musikalischen Vielfalt der Welt.<\/p>\n

\u00e2\u20ac\u017eDer \u00c2\u00abD\u00c3\u00ada de muertos\u00c2\u00bb<\/strong> hat in den letzten Jahren zunehmend auch au\u00c3\u0178erhalb Mexikos gro\u00c3\u0178e Popularit\u00c3\u00a4t erhalten. Wie die bekannte Figur \u00c2\u00abLa Catrina\u00c2\u00bb <\/strong>deutlich macht, erscheint der Tod in Mexiko als fester und sehr pr\u00c3\u00a4senter Teil des Lebens. Das ist aber keineswegs Ausdruck einer fatalistischen Weltsicht; das Gegenteil ist der Fall: Die unbek\u00c3\u00bcmmert farbenfrohe und fr\u00c3\u00b6hliche Auseinandersetzung mit der eigenen Endlichkeit, dem Dualismus von Tod und Leben, ist f\u00c3\u00bcr die Mexikaner Ansporn, umso intensiver und erf\u00c3\u00bcllter zu leben.\u00e2\u20ac\u0153 Jos\u00c3\u00a9 D\u00c3\u00adaz de Le\u00c3\u00b3n<\/strong><\/p>\n

Nach der CD \u00c2\u00abEspacios Abiertos\u00c2\u00bb (Offene R\u00c3\u00a4ume), die 2017 beim Label Neuklang erschien, stellt das Ensemble Pangea Ultima um Gitarrist und Komponist Jos\u00c3\u00a9 D\u00c3\u00adaz de Le\u00c3\u00b3n sein neues Album Camino a Mictl\u00c3\u00a1n<\/strong> (Weg nach Mictl\u00c3\u00a1n) vor, auf dem sich die K\u00c3\u00b6lner Formation auf eine musikalische Reise begibt. Eine Reise, die in Ernest Hemingways Stamm-Bar \u00c2\u00abEl Floridita\u00c2\u00bb in Havanna beginnt, um in Analogie zur mesoamerikanischen Mythologie in neun Stufen zur aztekischen Unterwelt herabzusteigen, die im CD-Titel aufgegriffen wird.<\/p>\n

Inspiriert durch die mexikanische Sicht auf den Tod, zeigt sich das Album als quicklebendige Feier der musikalischen Vielfalt der Welt. Getragen durch lateinamerikanisch-afrikanische Rhythmen bringen Jos\u00c3\u00a9 D\u00c3\u00adaz de Le\u00c3\u00b3ns<\/strong> Kompositionen Instrumente aller Kontinente zusammen.<\/p>\n

Camino a Mictl\u00c3\u00a1n<\/strong> ist mit seiner kosmopolitisch-zeitgem\u00c3\u00a4\u00c3\u0178en One-World-Music ein k\u00c3\u00bcnstlerischer Gegenentwurf zu einer Welt, in der Spaltung und Gegens\u00c3\u00a4tze zunehmen. Ein eleganter und l\u00c3\u00a4ssiger Mix aus europ\u00c3\u00a4ischer, karibischer, mexikanischer Musik, garniert mit indischen Sitar- und australischen Didgeridoo-Kl\u00c3\u00a4ngen, afrikanischen Instrumenten sowie Inspirationen aus Funk und Fusion. Mit ihm findet Jos\u00c3\u00a9 D\u00c3\u00adaz de Le\u00c3\u00b3n<\/strong> nach dem konzeptuellen Album \u00c2\u00abEspacios Abiertos\u00c2\u00bb zu einer neuen Leichtigkeit und kreativen Einfachheit, die es den hervorragenden Gast-Musikern erlaubt, sich mit maximaler Spielfreude auszudr\u00c3\u00bccken. Und das lohnt sich bei Gipsy-Star-Gitarrist Joscho Stephan<\/strong>, uruguayische Odd-meter-Spezialist Diego Pi\u00c3\u00b1era<\/strong>, Fl\u00c3\u00b6ten-Virtuose Daniel Manrique-Smith<\/strong>, Altsaxofonist Julian Bossert<\/strong>, Latin-Pianist Norman Peplow<\/strong>, Hindol Deb<\/strong> (Sitar), Waskhar Schneider<\/strong> (Didgeridoo), Natasha Young<\/strong> (Backroundgesang) und Fanta-4 Perkussionist Roland Peil<\/strong> allemal.<\/p>\n

 <\/p>\n

PANGEA ULTIMA <\/strong><\/p>\n

Das um den K\u00c3\u00b6lner Gitarristen Jos\u00c3\u00a9 D\u00c3\u00adaz de Le\u00c3\u00b3n<\/strong> gruppierte Ensemble spielt mit seinem Namen auf den Superkontinent an, der sich innerhalb der n\u00c3\u00a4chsten 250 Millionen Jahre durch den Kontinentaldrift bilden wird. Mit ihrer Musik nehmen die K\u00c3\u00bcnstler die Vereinigung der heutigen Landmassen vorweg und mischen Einfl\u00c3\u00bcsse aus unterschiedlichen Kulturen in ihren St\u00c3\u00bccken, die zum gr\u00c3\u00b6\u00c3\u0178ten Teil aus der Feder des Bandleaders stammen. \u00c2\u00abEspacios Abiertos\u00c2\u00bb<\/strong>, das 2017 beim Label Neuklang erschiene Deb\u00c3\u00bct-Album des Ensembles, wurde vom Magazin Jazzthing als<\/p>\n

\u00e2\u20ac\u017eeine reizvolle Neudefinition kultur\u00c3\u00bcbergreifender Musik\u00e2\u20ac\u0153 bezeichnet. \u00c2\u00abCamino a Mict\u00c3\u00a1n\u00c2\u00bb<\/strong> ist das zweite Album, das der deutsch-mexikanische Gitarrist und Komponist Jos\u00c3\u00a9 D\u00c3\u00adaz de Le\u00c3\u00b3n mit diesem Ensemble aufnimmt.<\/p>\n

 <\/p>\n

Jos\u00c3\u00a9 D\u00c3\u00adaz de Le\u00c3\u00b3n<\/strong>\u00c2\u00a0\u00c2\u00a0\u00c2\u00a0\u00c2\u00a0\u00c2\u00a0\u00c2\u00a0\u00c2\u00a0\u00c2\u00a0\u00c2\u00a0\u00c2\u00a0 electric guitar, acoustic guitar, tres & vocals<\/p>\n

Roman Fuch\u00c3\u0178\u00c2\u00a0\u00c2\u00a0\u00c2\u00a0\u00c2\u00a0\u00c2\u00a0\u00c2\u00a0\u00c2\u00a0\u00c2\u00a0\u00c2\u00a0\u00c2\u00a0 <\/strong>\u00c2\u00a0\u00c2\u00a0\u00c2\u00a0\u00c2\u00a0\u00c2\u00a0\u00c2\u00a0\u00c2\u00a0\u00c2\u00a0\u00c2\u00a0bass<\/p>\n

Chris Fehre<\/strong>\u00c2\u00a0\u00c2\u00a0\u00c2\u00a0\u00c2\u00a0\u00c2\u00a0\u00c2\u00a0\u00c2\u00a0\u00c2\u00a0\u00c2\u00a0\u00c2\u00a0\u00c2\u00a0\u00c2\u00a0\u00c2\u00a0\u00c2\u00a0\u00c2\u00a0\u00c2\u00a0\u00c2\u00a0\u00c2\u00a0\u00c2\u00a0\u00c2\u00a0 percussion<\/p>\n

 <\/p>\n

Special guests:<\/strong><\/p>\n

Diego Pi\u00c3\u00b1era\u00c2\u00a0\u00c2\u00a0\u00c2\u00a0\u00c2\u00a0\u00c2\u00a0\u00c2\u00a0\u00c2\u00a0\u00c2\u00a0\u00c2\u00a0\u00c2\u00a0\u00c2\u00a0\u00c2\u00a0\u00c2\u00a0\u00c2\u00a0\u00c2\u00a0\u00c2\u00a0\u00c2\u00a0\u00c2\u00a0\u00c2\u00a0\u00c2\u00a0 drums on all tracks<\/p>\n

Joscho Stephan\u00c2\u00a0\u00c2\u00a0\u00c2\u00a0\u00c2\u00a0\u00c2\u00a0\u00c2\u00a0\u00c2\u00a0\u00c2\u00a0\u00c2\u00a0\u00c2\u00a0\u00c2\u00a0\u00c2\u00a0\u00c2\u00a0\u00c2\u00a0\u00c2\u00a0\u00c2\u00a0 guitar<\/p>\n

Daniel Manrique-Smith\u00c2\u00a0\u00c2\u00a0\u00c2\u00a0\u00c2\u00a0\u00c2\u00a0\u00c2\u00a0\u00c2\u00a0 flute<\/p>\n

Julian Bossert\u00c2\u00a0\u00c2\u00a0\u00c2\u00a0\u00c2\u00a0\u00c2\u00a0\u00c2\u00a0\u00c2\u00a0\u00c2\u00a0\u00c2\u00a0 \u00c2\u00a0\u00c2\u00a0\u00c2\u00a0\u00c2\u00a0\u00c2\u00a0\u00c2\u00a0\u00c2\u00a0\u00c2\u00a0\u00c2\u00a0 alto saxophone<\/p>\n

Norman Peplow\u00c2\u00a0\u00c2\u00a0\u00c2\u00a0\u00c2\u00a0\u00c2\u00a0\u00c2\u00a0\u00c2\u00a0\u00c2\u00a0\u00c2\u00a0\u00c2\u00a0\u00c2\u00a0\u00c2\u00a0\u00c2\u00a0\u00c2\u00a0\u00c2\u00a0\u00c2\u00a0 piano<\/p>\n

Hindol Deb\u00c2\u00a0\u00c2\u00a0\u00c2\u00a0\u00c2\u00a0\u00c2\u00a0\u00c2\u00a0\u00c2\u00a0\u00c2\u00a0\u00c2\u00a0\u00c2\u00a0\u00c2\u00a0\u00c2\u00a0\u00c2\u00a0\u00c2\u00a0\u00c2\u00a0\u00c2\u00a0\u00c2\u00a0\u00c2\u00a0\u00c2\u00a0\u00c2\u00a0\u00c2\u00a0\u00c2\u00a0 sitar<\/p>\n

Roland Peil\u00c2\u00a0\u00c2\u00a0\u00c2\u00a0\u00c2\u00a0\u00c2\u00a0\u00c2\u00a0\u00c2\u00a0\u00c2\u00a0\u00c2\u00a0\u00c2\u00a0\u00c2\u00a0\u00c2\u00a0\u00c2\u00a0\u00c2\u00a0\u00c2\u00a0\u00c2\u00a0\u00c2\u00a0\u00c2\u00a0\u00c2\u00a0\u00c2\u00a0\u00c2\u00a0\u00c2\u00a0 percussion<\/p>\n

Natascha Young\u00c2\u00a0\u00c2\u00a0\u00c2\u00a0\u00c2\u00a0\u00c2\u00a0\u00c2\u00a0\u00c2\u00a0\u00c2\u00a0\u00c2\u00a0\u00c2\u00a0\u00c2\u00a0\u00c2\u00a0\u00c2\u00a0\u00c2\u00a0\u00c2\u00a0\u00c2\u00a0 backing vocals<\/p>\n

Waskhar Schneider\u00c2\u00a0\u00c2\u00a0\u00c2\u00a0\u00c2\u00a0\u00c2\u00a0\u00c2\u00a0\u00c2\u00a0\u00c2\u00a0\u00c2\u00a0\u00c2\u00a0\u00c2\u00a0 didgeridoo<\/p>\n

 <\/p>\n

Alle Kompositionen:<\/strong>\u00c2\u00a0 \u00c2\u00a0\u00c2\u00a0\u00c2\u00a0\u00c2\u00a0\u00c2\u00a0\u00c2\u00a0\u00c2\u00a0 Jos\u00c3\u00a9 D\u00c3\u00adaz de Le\u00c3\u00b3n<\/p>\n

Produktion:<\/strong> \u00c2\u00a0\u00c2\u00a0\u00c2\u00a0\u00c2\u00a0\u00c2\u00a0\u00c2\u00a0\u00c2\u00a0\u00c2\u00a0\u00c2\u00a0\u00c2\u00a0\u00c2\u00a0\u00c2\u00a0\u00c2\u00a0 \u00c2\u00a0 \u00c2\u00a0 \u00c2\u00a0\u00c2\u00a0\u00c2\u00a0\u00c2\u00a0\u00c2\u00a0\u00c2\u00a0\u00c2\u00a0\u00c2\u00a0\u00c2\u00a0\u00c2\u00a0 Chris Fehre & Jos\u00c3\u00a9 D\u00c3\u00adaz de Le\u00c3\u00b3n<\/p>\n

Aufnahme: \u00c2\u00a0\u00c2\u00a0\u00c2\u00a0\u00c2\u00a0\u00c2\u00a0\u00c2\u00a0\u00c2\u00a0\u00c2\u00a0\u00c2\u00a0\u00c2\u00a0\u00c2\u00a0\u00c2\u00a0\u00c2\u00a0\u00c2\u00a0\u00c2\u00a0 <\/strong>\u00c2\u00a0\u00c2\u00a0\u00c2\u00a0\u00c2\u00a0\u00c2\u00a0\u00c2\u00a0\u00c2\u00a0\u00c2\u00a0 Clemens Orth, Salon de Jazz, K\u00c3\u00b6ln<\/p>\n

Zus\u00c3\u00a4tzliche Aufnahmen: \u00c2\u00a0\u00c2\u00a0\u00c2\u00a0\u00c2\u00a0\u00c2\u00a0\u00c2\u00a0\u00c2\u00a0\u00c2\u00a0 Chris Fehre, Latin Lab, K\u00c3\u00b6ln<\/p>\n

Juan \u00e2\u20ac\u017eCubas\u00e2\u20ac\u0153 Friedman, Cubetta Records, Mexiko Stadt<\/p>\n

Abmischung:<\/strong> \u00c2\u00a0\u00c2\u00a0\u00c2\u00a0\u00c2\u00a0\u00c2\u00a0\u00c2\u00a0\u00c2\u00a0\u00c2\u00a0\u00c2\u00a0\u00c2\u00a0\u00c2\u00a0\u00c2\u00a0 \u00c2\u00a0\u00c2\u00a0\u00c2\u00a0\u00c2\u00a0\u00c2\u00a0\u00c2\u00a0\u00c2\u00a0\u00c2\u00a0\u00c2\u00a0\u00c2\u00a0\u00c2\u00a0 Chris Fehre, the Latin Lab, K\u00c3\u00b6ln<\/p>\n

Mastering:<\/strong> \u00c2\u00a0\u00c2\u00a0\u00c2\u00a0\u00c2\u00a0\u00c2\u00a0\u00c2\u00a0\u00c2\u00a0\u00c2\u00a0\u00c2\u00a0\u00c2\u00a0\u00c2\u00a0\u00c2\u00a0\u00c2\u00a0\u00c2\u00a0\u00c2\u00a0\u00c2\u00a0\u00c2\u00a0\u00c2\u00a0\u00c2\u00a0\u00c2\u00a0\u00c2\u00a0\u00c2\u00a0 \u00c2\u00a0 \u00c2\u00a0\u00c2\u00a0 \u00c2\u00a0\u00c2\u00a0\u00c2\u00a0 Frank Brempel, Blue in Green Studio, Bonn<\/p>\n

 <\/p>\n

Web:\u00c2\u00a0\u00c2\u00a0\u00c2\u00a0\u00c2\u00a0\u00c2\u00a0\u00c2\u00a0\u00c2\u00a0\u00c2\u00a0\u00c2\u00a0\u00c2\u00a0\u00c2\u00a0\u00c2\u00a0\u00c2\u00a0\u00c2\u00a0 www.josediazdeleon.de<\/a><\/strong><\/p>\n

YouTube:\u00c2\u00a0\u00c2\u00a0\u00c2\u00a0\u00c2\u00a0\u00c2\u00a0\u00c2\u00a0\u00c2\u00a0 https:\/\/www.youtube.com\/watch?v=9VUyLtj_kJA<\/a><\/strong><\/p>\n

 [:en]\"\"<\/p>\n

 <\/p>\n

Reise in die aztekische Unterwelt<\/strong><\/p>\n

Das Album \u00c2\u00abCamino a Mictl\u00c3\u00a1n<\/strong>\u00c2\u00bb des K\u00c3\u00b6lner Ensembles PANGEA ULTIMA<\/strong> ist eine quicklebendige Feier der musikalischen Vielfalt der Welt.<\/p>\n

\u00e2\u20ac\u017eDer \u00c2\u00abD\u00c3\u00ada de muertos\u00c2\u00bb<\/strong> hat in den letzten Jahren zunehmend auch au\u00c3\u0178erhalb Mexikos gro\u00c3\u0178e Popularit\u00c3\u00a4t erhalten. Wie die bekannte Figur \u00c2\u00abLa Catrina\u00c2\u00bb <\/strong>deutlich macht, erscheint der Tod in Mexiko als fester und sehr pr\u00c3\u00a4senter Teil des Lebens. Das ist aber keineswegs Ausdruck einer fatalistischen Weltsicht; das Gegenteil ist der Fall: Die unbek\u00c3\u00bcmmert farbenfrohe und fr\u00c3\u00b6hliche Auseinandersetzung mit der eigenen Endlichkeit, dem Dualismus von Tod und Leben, ist f\u00c3\u00bcr die Mexikaner Ansporn, umso intensiver und erf\u00c3\u00bcllter zu leben.\u00e2\u20ac\u0153 Jos\u00c3\u00a9 D\u00c3\u00adaz de Le\u00c3\u00b3n<\/strong><\/p>\n

Nach der CD \u00c2\u00abEspacios Abiertos\u00c2\u00bb (Offene R\u00c3\u00a4ume), die 2017 beim Label Neuklang erschien, stellt das Ensemble Pangea Ultima um Gitarrist und Komponist Jos\u00c3\u00a9 D\u00c3\u00adaz de Le\u00c3\u00b3n sein neues Album Camino a Mictl\u00c3\u00a1n<\/strong> (Weg nach Mictl\u00c3\u00a1n) vor, auf dem sich die K\u00c3\u00b6lner Formation auf eine musikalische Reise begibt. Eine Reise, die in Ernest Hemingways Stamm-Bar \u00c2\u00abEl Floridita\u00c2\u00bb in Havanna beginnt, um in Analogie zur mesoamerikanischen Mythologie in neun Stufen zur aztekischen Unterwelt herabzusteigen, die im CD-Titel aufgegriffen wird.<\/p>\n

Inspiriert durch die mexikanische Sicht auf den Tod, zeigt sich das Album als quicklebendige Feier der musikalischen Vielfalt der Welt. Getragen durch lateinamerikanisch-afrikanische Rhythmen bringen Jos\u00c3\u00a9 D\u00c3\u00adaz de Le\u00c3\u00b3ns<\/strong> Kompositionen Instrumente aller Kontinente zusammen.<\/p>\n

Camino a Mictl\u00c3\u00a1n<\/strong> ist mit seiner kosmopolitisch-zeitgem\u00c3\u00a4\u00c3\u0178en One-World-Music ein k\u00c3\u00bcnstlerischer Gegenentwurf zu einer Welt, in der Spaltung und Gegens\u00c3\u00a4tze zunehmen. Ein eleganter und l\u00c3\u00a4ssiger Mix aus europ\u00c3\u00a4ischer, karibischer, mexikanischer Musik, garniert mit indischen Sitar- und australischen Didgeridoo-Kl\u00c3\u00a4ngen, afrikanischen Instrumenten sowie Inspirationen aus Funk und Fusion. Mit ihm findet Jos\u00c3\u00a9 D\u00c3\u00adaz de Le\u00c3\u00b3n<\/strong> nach dem konzeptuellen Album \u00c2\u00abEspacios Abiertos\u00c2\u00bb zu einer neuen Leichtigkeit und kreativen Einfachheit, die es den hervorragenden Gast-Musikern erlaubt, sich mit maximaler Spielfreude auszudr\u00c3\u00bccken. Und das lohnt sich bei Gipsy-Star-Gitarrist Joscho Stephan<\/strong>, uruguayische Odd-meter-Spezialist Diego Pi\u00c3\u00b1era<\/strong>, Fl\u00c3\u00b6ten-Virtuose Daniel Manrique-Smith<\/strong>, Altsaxofonist Julian Bossert<\/strong>, Latin-Pianist Norman Peplow<\/strong>, Hindol Deb<\/strong> (Sitar), Waskhar Schneider<\/strong> (Didgeridoo), Natasha Young<\/strong> (Backroundgesang) und Fanta-4 Perkussionist Roland Peil<\/strong> allemal.<\/p>\n

 <\/p>\n

PANGEA ULTIMA <\/strong><\/p>\n

Das um den K\u00c3\u00b6lner Gitarristen Jos\u00c3\u00a9 D\u00c3\u00adaz de Le\u00c3\u00b3n<\/strong> gruppierte Ensemble spielt mit seinem Namen auf den Superkontinent an, der sich innerhalb der n\u00c3\u00a4chsten 250 Millionen Jahre durch den Kontinentaldrift bilden wird. Mit ihrer Musik nehmen die K\u00c3\u00bcnstler die Vereinigung der heutigen Landmassen vorweg und mischen Einfl\u00c3\u00bcsse aus unterschiedlichen Kulturen in ihren St\u00c3\u00bccken, die zum gr\u00c3\u00b6\u00c3\u0178ten Teil aus der Feder des Bandleaders stammen. \u00c2\u00abEspacios Abiertos\u00c2\u00bb<\/strong>, das 2017 beim Label Neuklang erschiene Deb\u00c3\u00bct-Album des Ensembles, wurde vom Magazin Jazzthing als<\/p>\n

\u00e2\u20ac\u017eeine reizvolle Neudefinition kultur\u00c3\u00bcbergreifender Musik\u00e2\u20ac\u0153 bezeichnet. \u00c2\u00abCamino a Mict\u00c3\u00a1n\u00c2\u00bb<\/strong> ist das zweite Album, das der deutsch-mexikanische Gitarrist und Komponist Jos\u00c3\u00a9 D\u00c3\u00adaz de Le\u00c3\u00b3n mit diesem Ensemble aufnimmt.<\/p>\n

 <\/p>\n

Jos\u00c3\u00a9 D\u00c3\u00adaz de Le\u00c3\u00b3n<\/strong>\u00c2\u00a0\u00c2\u00a0\u00c2\u00a0\u00c2\u00a0\u00c2\u00a0\u00c2\u00a0\u00c2\u00a0\u00c2\u00a0\u00c2\u00a0\u00c2\u00a0 electric guitar, acoustic guitar, tres & vocals<\/p>\n

Roman Fuch\u00c3\u0178\u00c2\u00a0\u00c2\u00a0\u00c2\u00a0\u00c2\u00a0\u00c2\u00a0\u00c2\u00a0\u00c2\u00a0\u00c2\u00a0\u00c2\u00a0\u00c2\u00a0 <\/strong>\u00c2\u00a0\u00c2\u00a0\u00c2\u00a0\u00c2\u00a0\u00c2\u00a0\u00c2\u00a0\u00c2\u00a0\u00c2\u00a0\u00c2\u00a0bass<\/p>\n

Chris Fehre<\/strong>\u00c2\u00a0\u00c2\u00a0\u00c2\u00a0\u00c2\u00a0\u00c2\u00a0\u00c2\u00a0\u00c2\u00a0\u00c2\u00a0\u00c2\u00a0\u00c2\u00a0\u00c2\u00a0\u00c2\u00a0\u00c2\u00a0\u00c2\u00a0\u00c2\u00a0\u00c2\u00a0\u00c2\u00a0\u00c2\u00a0\u00c2\u00a0\u00c2\u00a0 percussion<\/p>\n

 <\/p>\n

Special guests:<\/strong><\/p>\n

Diego Pi\u00c3\u00b1era\u00c2\u00a0\u00c2\u00a0\u00c2\u00a0\u00c2\u00a0\u00c2\u00a0\u00c2\u00a0\u00c2\u00a0\u00c2\u00a0\u00c2\u00a0\u00c2\u00a0\u00c2\u00a0\u00c2\u00a0\u00c2\u00a0\u00c2\u00a0\u00c2\u00a0\u00c2\u00a0\u00c2\u00a0\u00c2\u00a0\u00c2\u00a0\u00c2\u00a0 drums on all tracks<\/p>\n

Joscho Stephan\u00c2\u00a0\u00c2\u00a0\u00c2\u00a0\u00c2\u00a0\u00c2\u00a0\u00c2\u00a0\u00c2\u00a0\u00c2\u00a0\u00c2\u00a0\u00c2\u00a0\u00c2\u00a0\u00c2\u00a0\u00c2\u00a0\u00c2\u00a0\u00c2\u00a0\u00c2\u00a0 guitar<\/p>\n

Daniel Manrique-Smith\u00c2\u00a0\u00c2\u00a0\u00c2\u00a0\u00c2\u00a0\u00c2\u00a0\u00c2\u00a0\u00c2\u00a0 flute<\/p>\n

Julian Bossert\u00c2\u00a0\u00c2\u00a0\u00c2\u00a0\u00c2\u00a0\u00c2\u00a0\u00c2\u00a0\u00c2\u00a0\u00c2\u00a0\u00c2\u00a0 \u00c2\u00a0\u00c2\u00a0\u00c2\u00a0\u00c2\u00a0\u00c2\u00a0\u00c2\u00a0\u00c2\u00a0\u00c2\u00a0\u00c2\u00a0 alto saxophone<\/p>\n

Norman Peplow\u00c2\u00a0\u00c2\u00a0\u00c2\u00a0\u00c2\u00a0\u00c2\u00a0\u00c2\u00a0\u00c2\u00a0\u00c2\u00a0\u00c2\u00a0\u00c2\u00a0\u00c2\u00a0\u00c2\u00a0\u00c2\u00a0\u00c2\u00a0\u00c2\u00a0\u00c2\u00a0 piano<\/p>\n

Hindol Deb\u00c2\u00a0\u00c2\u00a0\u00c2\u00a0\u00c2\u00a0\u00c2\u00a0\u00c2\u00a0\u00c2\u00a0\u00c2\u00a0\u00c2\u00a0\u00c2\u00a0\u00c2\u00a0\u00c2\u00a0\u00c2\u00a0\u00c2\u00a0\u00c2\u00a0\u00c2\u00a0\u00c2\u00a0\u00c2\u00a0\u00c2\u00a0\u00c2\u00a0\u00c2\u00a0\u00c2\u00a0 sitar<\/p>\n

Roland Peil\u00c2\u00a0\u00c2\u00a0\u00c2\u00a0\u00c2\u00a0\u00c2\u00a0\u00c2\u00a0\u00c2\u00a0\u00c2\u00a0\u00c2\u00a0\u00c2\u00a0\u00c2\u00a0\u00c2\u00a0\u00c2\u00a0\u00c2\u00a0\u00c2\u00a0\u00c2\u00a0\u00c2\u00a0\u00c2\u00a0\u00c2\u00a0\u00c2\u00a0\u00c2\u00a0\u00c2\u00a0 percussion<\/p>\n

Natascha Young\u00c2\u00a0\u00c2\u00a0\u00c2\u00a0\u00c2\u00a0\u00c2\u00a0\u00c2\u00a0\u00c2\u00a0\u00c2\u00a0\u00c2\u00a0\u00c2\u00a0\u00c2\u00a0\u00c2\u00a0\u00c2\u00a0\u00c2\u00a0\u00c2\u00a0\u00c2\u00a0 backing vocals<\/p>\n

Waskhar Schneider\u00c2\u00a0\u00c2\u00a0\u00c2\u00a0\u00c2\u00a0\u00c2\u00a0\u00c2\u00a0\u00c2\u00a0\u00c2\u00a0\u00c2\u00a0\u00c2\u00a0\u00c2\u00a0 didgeridoo<\/p>\n

 <\/p>\n

Alle Kompositionen:<\/strong>\u00c2\u00a0 \u00c2\u00a0\u00c2\u00a0\u00c2\u00a0\u00c2\u00a0\u00c2\u00a0\u00c2\u00a0\u00c2\u00a0\u00c2\u00a0\u00c2\u00a0\u00c2\u00a0\u00c2\u00a0 Jos\u00c3\u00a9 D\u00c3\u00adaz de Le\u00c3\u00b3n<\/p>\n

Produktion:<\/strong>\u00c2\u00a0\u00c2\u00a0\u00c2\u00a0\u00c2\u00a0\u00c2\u00a0\u00c2\u00a0\u00c2\u00a0\u00c2\u00a0\u00c2\u00a0\u00c2\u00a0\u00c2\u00a0\u00c2\u00a0\u00c2\u00a0\u00c2\u00a0\u00c2\u00a0\u00c2\u00a0\u00c2\u00a0\u00c2\u00a0\u00c2\u00a0\u00c2\u00a0\u00c2\u00a0\u00c2\u00a0\u00c2\u00a0\u00c2\u00a0\u00c2\u00a0\u00c2\u00a0 Chris Fehre & Jos\u00c3\u00a9 D\u00c3\u00adaz de Le\u00c3\u00b3n<\/p>\n

Aufnahme: \u00c2\u00a0\u00c2\u00a0\u00c2\u00a0\u00c2\u00a0\u00c2\u00a0\u00c2\u00a0\u00c2\u00a0\u00c2\u00a0\u00c2\u00a0\u00c2\u00a0\u00c2\u00a0\u00c2\u00a0\u00c2\u00a0\u00c2\u00a0\u00c2\u00a0 <\/strong>\u00c2\u00a0\u00c2\u00a0\u00c2\u00a0\u00c2\u00a0\u00c2\u00a0\u00c2\u00a0\u00c2\u00a0\u00c2\u00a0\u00c2\u00a0\u00c2\u00a0\u00c2\u00a0 Clemens Orth, Salon de Jazz, K\u00c3\u00b6ln<\/p>\n

Zus\u00c3\u00a4tzliche Aufnahmen: \u00c2\u00a0\u00c2\u00a0\u00c2\u00a0\u00c2\u00a0\u00c2\u00a0\u00c2\u00a0\u00c2\u00a0\u00c2\u00a0 Chris Fehre, Latin Lab, K\u00c3\u00b6ln<\/p>\n

Juan \u00e2\u20ac\u017eCubas\u00e2\u20ac\u0153 Friedman, Cubetta Records, Mexiko Stadt<\/p>\n

Abmischung:<\/strong> \u00c2\u00a0\u00c2\u00a0\u00c2\u00a0\u00c2\u00a0\u00c2\u00a0\u00c2\u00a0\u00c2\u00a0\u00c2\u00a0\u00c2\u00a0\u00c2\u00a0\u00c2\u00a0\u00c2\u00a0 \u00c2\u00a0\u00c2\u00a0\u00c2\u00a0\u00c2\u00a0\u00c2\u00a0\u00c2\u00a0\u00c2\u00a0\u00c2\u00a0\u00c2\u00a0\u00c2\u00a0\u00c2\u00a0 Chris Fehre, the Latin Lab, K\u00c3\u00b6ln<\/p>\n

Mastering:<\/strong> \u00c2\u00a0\u00c2\u00a0\u00c2\u00a0\u00c2\u00a0\u00c2\u00a0\u00c2\u00a0\u00c2\u00a0\u00c2\u00a0\u00c2\u00a0\u00c2\u00a0\u00c2\u00a0\u00c2\u00a0\u00c2\u00a0\u00c2\u00a0\u00c2\u00a0\u00c2\u00a0\u00c2\u00a0\u00c2\u00a0\u00c2\u00a0\u00c2\u00a0\u00c2\u00a0\u00c2\u00a0\u00c2\u00a0\u00c2\u00a0\u00c2\u00a0\u00c2\u00a0\u00c2\u00a0 Frank Brempel, Blue in Green Studio, Bonn<\/p>\n

 <\/p>\n

Web:\u00c2\u00a0\u00c2\u00a0\u00c2\u00a0\u00c2\u00a0\u00c2\u00a0\u00c2\u00a0\u00c2\u00a0\u00c2\u00a0\u00c2\u00a0\u00c2\u00a0\u00c2\u00a0\u00c2\u00a0\u00c2\u00a0\u00c2\u00a0 www.josediazdeleon.de<\/a><\/strong><\/p>\n

YouTube:\u00c2\u00a0\u00c2\u00a0\u00c2\u00a0\u00c2\u00a0\u00c2\u00a0\u00c2\u00a0\u00c2\u00a0 https:\/\/www.youtube.com\/watch?v=9VUyLtj_kJA<\/a><\/strong><\/p>\n

 [:]<\/p>\n","protected":false},"excerpt":{"rendered":"

[:de]   Reise in die aztekische Unterwelt Das Album \u00c2\u00abCamino a Mictl\u00c3\u00a1n\u00c2\u00bb des K\u00c3\u00b6lner Ensembles PANGEA ULTIMA ist eine quicklebendige Feier der musikalischen Vielfalt der Welt. \u00e2\u20ac\u017eDer \u00c2\u00abD\u00c3\u00ada de muertos\u00c2\u00bb hat in den letzten Jahren zunehmend auch au\u00c3\u0178erhalb Mexikos gro\u00c3\u0178e Popularit\u00c3\u00a4t erhalten. Wie die bekannte Figur \u00c2\u00abLa Catrina\u00c2\u00bb deutlich macht, erscheint der Tod in Mexiko […]<\/p>\n","protected":false},"author":6,"featured_media":15902,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[172],"tags":[],"class_list":["post-15901","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-unkategorisiert"],"yoast_head":"\nPangea Ultima - Camino a Mictlan (Releasedate: 09.04.2021) - Q-rious Music<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.qrious.de\/en\/pangea-ultima-camino-a-mictlan-releasedate-09-04-2021\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Pangea Ultima - Camino a Mictlan (Releasedate: 09.04.2021) - Q-rious Music\" \/>\n<meta property=\"og:description\" content=\"[:de]   Reise in die aztekische Unterwelt Das Album \u00c2\u00abCamino a Mictl\u00c3\u00a1n\u00c2\u00bb des K\u00c3\u00b6lner Ensembles PANGEA ULTIMA ist eine quicklebendige Feier der musikalischen Vielfalt der Welt. \u00e2\u20ac\u017eDer \u00c2\u00abD\u00c3\u00ada de muertos\u00c2\u00bb hat in den letzten Jahren zunehmend auch au\u00c3\u0178erhalb Mexikos gro\u00c3\u0178e Popularit\u00c3\u00a4t erhalten. 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