{"id":15847,"date":"2021-03-11T14:22:05","date_gmt":"2021-03-11T12:22:05","guid":{"rendered":"https:\/\/www.qrious.de\/?p=15847"},"modified":"2021-03-16T16:41:28","modified_gmt":"2021-03-16T14:41:28","slug":"stefano-di-battista-morricone-stories-releasedate-02-04-2021","status":"publish","type":"post","link":"https:\/\/www.qrious.de\/en\/stefano-di-battista-morricone-stories-releasedate-02-04-2021\/","title":{"rendered":"[:de]Stefano Di Battista – Morricone Stories ( Releasedate: 02.04.2021)[:en]Stefano Di Battista – Morricone Stories (Releasedate: 02.04.2021)[:]"},"content":{"rendered":"

[:de]\"\"<\/p>\n

 <\/p>\n

Eine moderne Hommage an Ennio Morricone: <\/strong><\/p>\n

Ennio Morricones<\/strong> Filmmusiken nehmen sich, verbunden mit abwechslungsreichen, szenischen Bildern, wie eine endlose Schatzkiste an kreativem Denken aus. Sie sind au\u00c3\u0178erdem so vielseitig, als ob sie nur darauf warteten, erforscht, novelliert und wiederentdeckt zu werden. Die St\u00c3\u00bccke der Komponistenlegende w\u00c3\u00a4ren gleicherma\u00c3\u0178en unterhaltsam und vollkommen wiedererkennbar, wenn sie von einem bulgarischen Chor oder einem Okarina-Quintett aufgef\u00c3\u00bchrt w\u00c3\u00bcrden. Bringt man den Jazz hingegen ins Spiel, erschlie\u00c3\u0178t man Morricones Musik eine ganz neue Welt und bringt zusammen, was genau passen will, weil seine Kompositionen und die freie Musik auf nat\u00c3\u00bcrliche Weise vielleicht sogar eine unvermeidliche Partnerschaft eingehen sollen. Das liegt zum Teil an einem charakteristischen Merkmal von Morricones Musik<\/strong>: hochgef\u00c3\u00bchlvolle Melodien werden in Texturen von intelligenten Harmonien platziert, was auch den Jazz kennzeichnet – insbesondere, wenn er von jemandem wie Stefano Di Battista<\/strong> gespielt wird.<\/p>\n

Der Saxofonist macht sich die Themen Morricones zu Eigen und spielt mit ihnen wie mit einem magischen Stoff.<\/p>\n

Morricones Kompositionen schaffen spezielle und mysteri\u00c3\u00b6se Musik, die auf beinahe unerkl\u00c3\u00a4rliche Weise unseren Seelen erf\u00c3\u00bcllt. Stefano Di Battista empfand zum Gl\u00c3\u00bcck keine Verpflichtung dazu, sich w\u00c3\u00a4hrend der Konzeption seines neuen Albums \u00e2\u20ac\u017eMorricone Stories<\/strong>\u00e2\u20ac\u0153 ausschlie\u00c3\u0178lich an Morricones ber\u00c3\u00bchmtesten Filmmusiken, also jenen Scores zu orientieren, die fest im kollektiven Ged\u00c3\u00a4chtnis verankert sind. Teilweise w\u00c3\u00a4hlte Stefano<\/strong> bewusst weniger bekannte Themen, oder besser gesagt Melodien kaum bekannter oder vergessener Filme aus wie \u00e2\u20ac\u017eVeruschka<\/strong>\u00e2\u20ac\u0153 oder \u00e2\u20ac\u017eWhat Have You Done To Solange?<\/strong>\u00e2\u20ac\u0153 (deutscher Titel: \u00e2\u20ac\u017eDas Geheimnis der gr\u00c3\u00bcnen Stecknadel\u00e2\u20ac\u0153).<\/p>\n

Sein Motiv: Tiefer im Repertoire graben, in dem es immer noch viel zu entdecken gibt, um daran zu erinnern, dass Morricone Soundtracks zu mehr als 500 Filmen lieferte, von denen heute gerade mal eine Handvoll bejubelt werden.<\/p>\n

Die St\u00c3\u00bccke auf \u00e2\u20ac\u017eMorricone Stories<\/strong>\u00e2\u20ac\u0153 wurden von Stefano<\/strong> gleichsam pr\u00c3\u00a4zisiert, veredelt und perfekt in Jazz-Standards umgewandelt. Nat\u00c3\u00bcrlich bereiten sie den Zuh\u00c3\u00b6rern das Vergn\u00c3\u00bcgen, Themen, die man in und auswendig kennt, neu zu entdecken, wie das swingende und geistreiche Thema aus dem Filmdrama \u00e2\u20ac\u017eMetti, Una sera a cena<\/strong>\u00e2\u20ac\u0153 oder die Melodie des Spaghetti Westerns \u00e2\u20ac\u017eThe Good, the Bad and the Ugly<\/strong>\u00e2\u20ac\u0153. Letzteres erfand Stefano als duellierende Improvisation neu. Das Saxofon nimmt sich darin der kurzen Hast an Noten an, die vom Ruf eines Coyoten inspiriert wurden, bevor sie ins reine Gef\u00c3\u00bchl von \u00e2\u20ac\u017eDeborah’s Theme<\/strong>\u00e2\u20ac\u0153 aus \u00e2\u20ac\u017eOnce Upon A Time In America<\/strong>\u00e2\u20ac\u0153 \u00c3\u00bcbergehen und darin Aufl\u00c3\u00b6sung finden. Gleichzeitig zitiert es eins von Morricones gr\u00c3\u00b6\u00c3\u0178ten Werken schlechthin, eines, das ihm besonders gefiel, verk\u00c3\u00b6rpert es doch sein Ideal einer Melodie, die das gr\u00c3\u00b6\u00c3\u0178tm\u00c3\u00b6gliche Resultat mit einem Minimum an Noten erreicht. Au\u00c3\u0178erdem gibt es eine wendige \u00c3\u0153berarbeitung von \u00e2\u20ac\u017eThe Mission<\/strong>\u00e2\u20ac\u0153 zu erkunden, dessen Oboen-Noten im Original f\u00c3\u00bcr Stefanos Sopran-Saxofon transponiert wurden.<\/p>\n

\u00e2\u20ac\u017eFlora<\/strong>\u00e2\u20ac\u0153 ist die gro\u00c3\u0178e \u00c3\u0153berraschung auf dem Album. Das bislang unver\u00c3\u00b6ffentlichte St\u00c3\u00bcck schenkte Morricone, der vielverehrte Komponist, Stefano Di Battista. Im Ergebnis ist \u00e2\u20ac\u017eMorricone Stories<\/strong>\u00e2\u20ac\u0153 ein makelloses Album geworden, das eine Serie von anderen Platten hervorbringen k\u00c3\u00b6nnte – ganz so, als ob ein Teil von Morricones Denken, vielleicht unabsichtlich, Richtung Jazz gerichtet war.<\/p>\n

 <\/p>\n

Am 14. Februar 1969 in Rom geboren, fand der Saxofonist Stefano Di Battista<\/strong> beim Lauschen von Art Pepper- und Cannonball Adderley-Platten zum Jazz. Zum Umzug nach Paris vom Pianisten Jean-Pierre Como<\/strong> ermutigt, der ihn w\u00c3\u00a4hrend des Sommers 1992 im Rahmen des Calvi Jazz Festivals<\/strong> h\u00c3\u00b6rte, fasste Stefano schnell Fu\u00c3\u0178 in der franz\u00c3\u00b6sischen Hauptstadt. Unterst\u00c3\u00bctzt wurde er dabei von einer Reihe Musiker, insbesondere von Drummer Aldo Roma<\/strong> und dem Dirigenten Laurent Cugny<\/strong>, der Stefano und den Trompeter Flavio Boltro<\/strong> darum bat, seinem 1994 gegr\u00c3\u00bcndeten Orchestre National de Jazz<\/strong> beizutreten.<\/p>\n

Obwohl Stefano haupts\u00c3\u00a4chlich in Frankreich aktiv ist, hielt er immer enge Verbindungen zur italienischen Jazz-Szene aufrecht. Aus diesen Verkn\u00c3\u00bcpfungen entstanden Platten mit Landsleuten wie Enrico Rava<\/strong> (1996), Rita Marcotulli<\/strong> (1998), Daniele Scannapieco<\/strong> (2003) und Dario Rosciglione<\/strong> (2004). Die Band, die sein drittes Album \u00e2\u20ac\u017eRound About Roma<\/strong>\u00e2\u20ac\u0153 (2002) f\u00c3\u00bcr Blue Note einspielte, war ein international besetztes Quartett, dem der belgische Pianist \u00c3\u2030ric Legnini<\/strong>, Drummer Andr\u00c3\u00a9 Ceccarelli<\/strong> aus Frankreich und der italienische Bassist Rosdario Bonaccorso<\/strong> angeh\u00c3\u00b6rten. Begleitet wurden die vier Musiker von einem Symphonieorchester, das von Vince Mendoza<\/strong> dirigiert wurde, der auch f\u00c3\u00bcr die Orchesterarrangements verantwortlich zeichnete.<\/p>\n

Diesem Album lie\u00c3\u0178 Stefano zwei weitere Aufnahmen f\u00c3\u00bcr Blue Note folgen: Eine Tribut-Einspielung an Charlie Parker und das virtuose \u00e2\u20ac\u017eTrouble Shootin<\/strong>‘\u00e2\u20ac\u0153 (2007) mit Fabrizio Bosso<\/strong> an der Trompete und Baptiste Trotignon<\/strong> an der Hammond. Das Folgealbum \u00e2\u20ac\u017eWoman’s Land<\/strong>\u00e2\u20ac\u0153, 2011 auf dem italienischen Label Alice Records erschienen, wurde von unterschiedlichen geschichtsrelevanten weiblichen Figuren des 20. Jahrhunderts inspiriert.<\/p>\n

Stefanos Verm\u00c3\u00b6gen, mit anderen Solisten in musikalische Dialoge zu treten, wird auch auf seinen sp\u00c3\u00a4teren Alben evident, unter denen sich \u00e2\u20ac\u017eGi\u00c3\u00b9 la Testa<\/strong>\u00e2\u20ac\u0153 (2014) befindet – entstanden mit den franz\u00c3\u00b6sischen Gitarristen Sylvain Luc<\/strong>.<\/p>\n

 <\/p>\n

    \n
  1. Cosa avete fatto a Solange? (aus “What have you done to Solange?”)<\/li>\n
  2. Peur sur la ville (aus “Fear over the City”)<\/li>\n
  3. La cosa buffa (aus \u00e2\u20ac\u017eLa cosa buffa\u00e2\u20ac\u009d)<\/li>\n
  4. Veruschka (aus \u00e2\u20ac\u017eVeruschka\u00e2\u20ac\u0153)<\/li>\n
  5. Deborah\u00e2\u20ac\u2122s Theme (aus “Once Upon a Time in America”)<\/li>\n
  6. Metti, una sera a cena (aus \u00e2\u20ac\u0153Metti, una sera a cena\u00e2\u20ac\u009d)<\/li>\n
  7. Apertura della caccia (aus “1900”)<\/li>\n
  8. Il grande silenzio (aus “The Great Silence”)<\/li>\n
  9. Flora (Weltersteinspielung)<\/li>\n
  10. La donna della domenica (aus “The Sunday Woman”)<\/li>\n
  11. Gabriel\u00e2\u20ac\u2122s Oboe (aus “The Mission”)<\/li>\n
  12. The Good, the Bad and the Ugly (aus \u00e2\u20ac\u0153The Good, the Bad and the Ugly\u00e2\u20ac\u009d)<\/li>\n<\/ol>\n

    All music composed by Ennio Morricone<\/p>\n

     [:en]\"\"<\/p>\n

     <\/p>\n

    Ennio Morricone\u00e2\u20ac\u2122s film music<\/strong> provides an infinite treasure trove of creative thinking, associated with the most varied of images. It is also extremely versatile, just waiting to be delved into, reworked and rediscovered \u00e2\u20ac\u201c his compositions would still be equally enjoyable and perfectly recognizable performed by a Bulgarian choir or a quintet of ocarinas. But throwing jazz into the mix takes things to a whole new level, creating what feels like a perfect match, a natural, perhaps even inevitable partnership. This stems in part from a distinctive feature of Morricone\u00e2\u20ac\u2122s music: it places highly emotional melodies within a texture of intelligent harmonies, and jazz does exactly the same, particularly in the hands of someone like Stefano Di Battista<\/strong>.<\/p>\n

    The saxophonist takes the composer\u00e2\u20ac\u2122s themes and plays with them as if they were a magical substance, that special and mysterious music that almost inexplicably fills our souls. And he didn\u00e2\u20ac\u2122t feel compelled to stick to Morricone\u00e2\u20ac\u2122s<\/strong> most famous film scores, the ones etched into the public consciousness. In some cases, Stefano<\/strong> has chosen lesser-known themes, or rather tunes from lesser-known or forgotten films, like \u00e2\u20ac\u0153Veruschka\u00e2\u20ac\u009d<\/strong> or \u00e2\u20ac\u0153What Have You Done to Solange?\u00e2\u20ac\u009d <\/strong>both to dig deeper into a repertoire where there is still much to be explored, and as a reminder that Morricone<\/strong> provided the soundtrack to more than 500 films, only a handful of which are still celebrated today. These tunes are both refined and very precious, and of course you also get the pure pleasure of hearing themes you know inside and out turned into perfect jazz standards, like the swinging and witty \u00e2\u20ac\u0153Metti, una sera a cena\u00e2\u20ac\u009d<\/strong>, or \u00e2\u20ac\u0153The Good, the Bad and the Ugly\u00e2\u20ac\u009d<\/strong> reinvented as a duelling improvisation, with the sax taking on the brief flurry of notes inspired by the call of the coyote, before dissolving into the pure emotion of \u00e2\u20ac\u0153Deborah\u00e2\u20ac\u2122s Theme\u00e2\u20ac\u009d<\/strong> from Once Upon a Time in America. This is one of Morricone\u00e2\u20ac\u2122s<\/strong> greatest ever works, one he was very fond of because it epitomised his ideal of a melody that achieves the maximum possible result with the minimum number of notes.<\/p>\n

    Then there is a nimble reworking of The Mission<\/strong>, with the original oboe effortlessly transposed to the soprano sax, and Flora<\/strong>, a surprise, previously unreleased number that the revered composer gifted to Di Battista. Ultimately, the mechanism feels flawless and could spawn a series of other records \u00e2\u20ac\u201c as if part of Morricone\u00e2\u20ac\u2122s thinking was always, perhaps unwittingly, directed towards jazz. The album \u00e2\u20ac\u0153Morricone Stories\u00e2\u20ac\u009d<\/strong> will be released April 2021.<\/p>\n

    Born 14 February 1969 in Rome, saxophonist Stefano Di Battista<\/strong> came to jazz through the records of Art Pepper and Cannonball Adderley. Encouraged to move to Paris by pianist Jean-Pierre Como<\/strong>, who heard him during the summer of 1992 at the Calvi Jazz Festival<\/strong>, Stefano quickly found his footing in the French capital with the help of several musicians, notably drummer Aldo Romano<\/strong> and the conductor Laurent Cugny<\/strong>, who invited Stefano and trumpeter Flavio Boltro<\/strong> to join his Orchestre National de Jazz<\/strong>, established in 1994.<\/p>\n

    Though mainly active in France, Stefano also maintains close links with the Italian jazz community, having recorded with compatriots Enrico Rava<\/strong> (1996), Rita Marcotulli<\/strong> (1998), Daniele Scannapieco<\/strong> (2003) and Dario Rosciglione<\/strong> (2004).<\/p>\n

    The combo on his third album for Blue Note, Round About Roma<\/strong> (2002), therefore, is an international quartet featuring Belgian pianist \u00c3\u2030ric Legnini<\/strong>, French drummer Andr\u00c3\u00a9 Ceccarelli<\/strong> and Italian bassist Rosario Bonaccorso<\/strong>, backed by a symphonic orchestra arranged and conducted by Vince Mendoza<\/strong>.<\/p>\n

    Stefano followed up with another two albums for Blue Note: a tribute to Charlie Parker<\/strong>, and the virtuosic Trouble Shootin\u00e2\u20ac\u2122<\/strong> (2007) featuring Fabrizio Bosso<\/strong> on trumpet and Baptiste Trotignon<\/strong> on the Hammond. His subsequent album Woman\u00e2\u20ac\u2122s Land<\/strong> (2011), on Italian label Alice Records<\/strong>, took as its inspiration several historic female figures of the 20th century. Stefano\u00e2\u20ac\u2122s ability to engage in a musical conversation with other artists is evident on his later albums, among them Gi\u00c3\u00b9 la Testa<\/strong> (2014), recorded with French guitarist Sylvain Luc<\/strong>.<\/p>\n

     <\/p>\n

    STEFANO DI BATTISTA (ALTO & SORANO SAXOPHONE)<\/strong><\/p>\n

    FRED NARDIN (PIANO)<\/strong><\/p>\n

    DANIELE SORRENTINO (DOUBLE BASS)<\/strong><\/p>\n

    ANDRE CECCARELLI (DRUMS)<\/strong><\/p>\n

     <\/p>\n

      \n
    1. Cosa avete fatto a Solange (from What Have You Done to Solange?)<\/li>\n
    2. Peur sur la ville (from Fear Over The City)<\/li>\n
    3. La cosa buffa (from La cosa buffa)<\/li>\n
    4. Veruschka (from Veruschka)<\/li>\n
    5. Deborah\u00e2\u20ac\u2122s Theme (from Once Upon a Time in America)<\/li>\n
    6. Metti, una sera a cena (from Metti, una sera a cena)<\/li>\n
    7. Apertura della caccia (from 1900)<\/li>\n
    8. Il grande silenzio (from The Great Silence)<\/li>\n
    9. Flora* (world premiere recording)<\/li>\n
    10. La donna della domenica (from The Sunday Woman)<\/li>\n
    11. Gabriel\u00e2\u20ac\u2122s Oboe (from The Mission)<\/li>\n
    12. The Good, The Bad And The Ugly (from The Good, The Bad And The Ugly)<\/li>\n<\/ol>\n

       <\/p>\n

      All Music Composed by Ennio Morricone<\/p>\n

      Arrangements and artistic direction by Stefano di Battista and Fred Nardin<\/p>\n

       [:]<\/p>\n","protected":false},"excerpt":{"rendered":"

      [:de]   Eine moderne Hommage an Ennio Morricone: Ennio Morricones Filmmusiken nehmen sich, verbunden mit abwechslungsreichen, szenischen Bildern, wie eine endlose Schatzkiste an kreativem Denken aus. Sie sind au\u00c3\u0178erdem so vielseitig, als ob sie nur darauf warteten, erforscht, novelliert und wiederentdeckt zu werden. Die St\u00c3\u00bccke der Komponistenlegende w\u00c3\u00a4ren gleicherma\u00c3\u0178en unterhaltsam und vollkommen wiedererkennbar, wenn sie […]<\/p>\n","protected":false},"author":6,"featured_media":15848,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[172],"tags":[],"class_list":["post-15847","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-unkategorisiert"],"yoast_head":"\n[:de]Stefano Di Battista - Morricone Stories ( Releasedate: 02.04.2021)[:en]Stefano Di Battista - Morricone Stories (Releasedate: 02.04.2021)[:] - Q-rious Music<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.qrious.de\/en\/stefano-di-battista-morricone-stories-releasedate-02-04-2021\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"[:de]Stefano Di Battista - Morricone Stories ( Releasedate: 02.04.2021)[:en]Stefano Di Battista - Morricone Stories (Releasedate: 02.04.2021)[:] - Q-rious Music\" \/>\n<meta property=\"og:description\" content=\"[:de]   Eine moderne Hommage an Ennio Morricone: Ennio Morricones Filmmusiken nehmen sich, verbunden mit abwechslungsreichen, szenischen Bildern, wie eine endlose Schatzkiste an kreativem Denken aus. Sie sind au\u00c3\u0178erdem so vielseitig, als ob sie nur darauf warteten, erforscht, novelliert und wiederentdeckt zu werden. 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